In 941 Amir Hussein Kurd established a reign called Bnihosnavie in the city of Zor and its surroundings; the event was at the same time with Buyids. After him, his son Hosnavie came into power. The period he ruled the government can be considered as the age of formation and development of the territory and consistency of the dynasty. After Hosnavie, his son BADR was in power and could reach the territory and authority of Banihosnavie to the peak. During the end of BADR reign and during the reign of his successors, there were internal riots which finally led to the extinction of the dynasty after Taher IBN HELAL was killed in 1015. The article taking advantage of a descriptive-analytical method aims at analyzing the political, economic, and cultural events of Banihosnavie rather than merely describing the history.

The emergence of the false messianic claimants was the major challenge of Imamites at the time of minor Occultation. “Ahmad IBN HELAL Abartaie" was one of the well-known false claimants at that period. The present research with an aim to investigate the false claims of deputyship of Imam Mahdi at the minor Occultation explains the false claims of Ahmad IBN HELAL Abartaie. This paper is organized on the basis of descriptive-analytic method and based on the research’s aim, it is an explanatory research and in terms of data used, it is exploratory-qualitative. Moreover, while we present the biography of Ahmad IBN HELAL Abartaie, we point to the reasons that caused the emergence of such claims by him. The Imam Mahdi’s ethology in confrontation with him is among the issues raised in this study. At the end, we explore Ahmad IBN HELAL Abartaie’s dignity’s character. The ending discussion is devoted to the mass of traditions transmitted from him. Due to Imam Mahdi’s decisive encounter with him, his claims did not attract enough followers to itself. However, that he died in the same year as of his false claims has affected this area.

BADR Chachi is one of the poets of 8th century and he is a competent follower of Khaghani whose poems to date have no and overal treceived sufficient attention in Iran. In this article, first after introduction to BADR Chachi and hisposition amonge the Indian poets reciting farsi poems, his poetic notions and style is discussed. Finally, some of the less applied characteristics of his poems will be presented.

BADR-i Chachi is one of the AH 8th-century poets and an able follower of Khaghani’s style whose poetry, save for what Dr. Zabih-Allah Safa wrote in the History of Literature, has so far been ignored in Iran. This article shortly introduces BADR and his great status in Indea for Persian-speaker Indian literary men and brings to the fore the contents of his poems, his poetry and some of the less frequently used characteristics of the poems.

One of the obvious features about cotemporary poetry is profiting the legends as there are many poets who use the legends as a secret to represent their attitude. Some of the poets have used the legends especially Tammouz being famed poets as Tammouz. BADR-sha ker-Al sayyab- contemporary poet of Iraqi is at the head of this group. He has particular knowledge to apply these legends so that you believe he is not able to state his attitude without the use of myths because he was living in a typical territory where the mouth was smelled in case of telling: ”I love you”. He had tendency to political activities in a period of his life and struggled permanently to prove a revolution and his pen was his solitary weapon. Among these legends, Tammouz has a special status because it symbolizes evolution and change in political and social condition, the revolution which improves the people’s lives. The present article is going to consider the role of legends especially Tammouz in the poetry of Sayyab.

Persian poem on the poetry of poets who have style. Of these, should Khaghani name that is known to have a particular style and diction. That is why, after his many poets have tried to follow the way of his eloquence .BADR e chachi, one of the poets, according to this study, it can be said with certainty that the word has a special approach Khaghani attention. In this paper, the influence of BADR e chichi on Khaghani, in the context of the framework, language and imagery is investigated. It must be said, in the form of a rhyme and line weight and is, seventeen of odes, and two of them have welcomed Khaghani lyrics. In the language of additional compounds and eleven of the sixteen combinations Khaghani's description, in his poems used, in addition to that of some Khaghani State whether each verse, literally, or with minimal changes, had used. In terms of imagery, too, in the field of metaphors, images Khaghani has followed.

The contemporary Arab poets live in a very inconsistent conditions and the effects of these conditions can be found in their personality and poems. As the results of important political events, some contradictions such as differences between urban and rural life, individual and social trends, or the contrast of wisdom and sense arose and intensified. BADR al-Shakir al-Siab (1926-1964), one of the Iraq’s contemporary poets, lived in such a world of contradictions: between reality and desire, freedom and bondage, poverty and richness and so on. The result of these conditions was to try to achieve ideal situation but attaining failure, disappointment and pessimism which along with bitter events of childhood cause the formation of a dual structure in her poems. So this essay aims to investigate the contradictions of her poems with a descriptive-analytic method.

One of the profits of research on the poetry books of the past poets is enrichment of the scope of vocabulary. Without studying and making a survey on all the literary works, even the infamous literary works, it is impossible to compile and prepare a comprehensive dictionary of vocabulary. Therefore, the writer of this article, who is working and studying BADR Shervani's poetry book, a poet of the eighth and ninth century A.H in Qafqaz., surveys the words and vocabularies of this poet not mentioned in the Persian dictionaries, and in other cases the meanings are offered in dictionaries such as Dehkhoda's dictionary of vocabularies; where there is actually no example for it whether in prose or poetry. Efforts have been made to offer examples from BADR complete poetry book for words lacking any concrete example; while words missing in the Persian dictionaries were to be found in other sources including the Arabic and Turkish dictionaries or even through referring to the other poetry books of other poets. Still, some words were not found and as a result - these words were given meaning considering the poet's poetry.

Literature of a nation, reflects the political and social situation of the nation. Given the political situation - Iran and Iraq in contemporary society have been affected by the same events, so these two ideas and literary themes of literature are largely similar. Two contemporary literary characters "Nima yushij" and "BADR Shakir Alsyab" are poets who are not indifferent to the problems of their society, as the issues mentioned are clearly visible in their poems. In this paper, after discussing the poets lives, common themes and ideas in the poems "The Task of the Night-Guard" by Nima yushyj and "Almoms Almia’" by the BADRShakirAlsyab will be analyzed.

The manuscript of ‘HELAL Motarraz Dar Fan Moama Wa Loghz’, Sharaf ad-Din Ali Yazdi’s literary work, a Persian historian and poet lived in the 8th century of Hijri calendar or lunar calendar. This literary work is concerned with definition, explanation and knowledge of riddles and conundrums. It was written (in 828-832 years of lunar calendar) for Ibrahim Sultan, the son of Timurid ruler, Shahrukh. This text includes an introduction, 2 sections and 5 chapters. Utilizing content analysis method, the main purpose the present research is to delves into the literary expressive and literary features and techniques and the ultimate purpose is to answer the main research question: what are Sharaf ad-Din’s literay style and expreesive features.The results of this research indicated that the writer has used varied and various writing features, simple and coherent prose has been used to elaborate on concepts and expressions. Also, frequent references to verses and Hadith, terms of riddles and conundrums, explanation of mystic, theosophical, mathematical and musical concepts and terms were the main features of the work.